TINE DAMBORG
DENMARK
technique
Tine Damborg (DK) (born in 1970) - Educated from School of Modern Dance i Denmark 1995. She has since worked freelance as a dancer in several different dance shows, performance shows, rock-musicals, touring children’s theatre and site specific work. Besides working as a dancer, she has also been choreographing and dancing her own work, which in 2003 made her the Recipient of The Choreographers Grant from the Danish Actors Union. Most recently she produced a solo-piece for a Danish - New York based collaboration called "Cabaret Tribunale", which premiered in the Judson Church in N.Y. She has since 1997 been one of the prime movers in the Cabaret inspired easy-dancing company, "Rasmussen Wardrobe Show"(DK), and have collaborated with the choreographer Ninna Steen (DK) in performances like Knockabout, Final Cut & "Dupond&Dupont". She has also worked for e.g. Annette Wiesner(D), Jørgen Carlslund(DK), Anita Saij (Dancelab)(DK), and David Dorfmann (US),
Because of her very varied carrier choices, she has created a versatile foundation of experience, which she has taken into teaching – she has e.g. thought at the Royal Balletschool’s department in Odense (DK), students at the National School of acting in Denmark and is also the artistic director of the Danish arts Council supported youth company "U-kompagniet".
TECHNIQUE
A versatile foundation is a keyword for the classes I give. I use a broad spectre of different ways to "attack" your technique class, but it is not a thing of anything goes, more it’s a possibility for the dancer to reclaim some kind of truth within the experience of his/hers own body. The class starts from a series of shorter or/and longer phrases of plies, tendus, dégagés, swings, leg lifts, floor work and so on, that focus’s on the use of opposition between body parts, precision in the execution of the movement without getting stiff and hard in the muscles and joints. I work with a strong weightiness against a light sensation of being carried, with attention to balance within the body as well as in relationship with the room, being aware of where you move/dance from, and finding direct ways to get where you need to go. I’m very engaged in finding ways to use and connect to all the resources of the body, by supporting yourself, and working from the centre as well as from the periphery of the body.
All though there may be slow and claim phrases that gives you a chance to listen to the body, I generally work in a very energetic high and fast tempo, with lots of physicality, jumps, turns and phrases that "eat" up space.
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